This class is oriented to Inspire and record the idiosyncrasies of the male dancer, marked by the characteristics of the dance, which is a macho dance where the man is the guide and director of the choreography of the dance as a couple, where in each gesture or attitude he leaves his dominance and control, mixed with the joy, sensuality, masculinity characteristic and cliché of the Cuban man, where this is the archetype of a dominating, punishing and womanizing “supermacho”, all this regardless of the true sexual condition of the performer, because more than a form It is an attitude when facing the dance. The class is focused on helping to discover the particularities and gestures intrinsic to Cuban dance.